An implicit meaning of dialogue in theatrical performance

(Exampled on Uriankhai D’s philosophy dialogue of psychological dramas)

Abstract

In this article, we deal with Mongolian writer who is Uriankhai D’s philosophy dialogue of psychological drama. Uriankhai D, a well-known Mongolian poet and writer of dramatic composition, began to try and write Dramatic composition in the 1990s, and in a short period of time he created many significant works that reflect the current situation and the human mind in a philosophical way. The author made philosophical perspectives, research of new forms of expression and the dramatur gical reform in the development of the key genres of the Mongolian literature. It is observed that Uriankhai’s work is not only reflected by Mongolians’ reality and their mindset, but it also synthesizes through the author’s inner world prism the Oriental thoughts, Buddhist philosophy and ethics, European sedentary, urban culture and sci entific perceptions. The writer’s realistic and abstract monodrama, absurd drama and animation-style written by Uriankhai are widely used in the scientific research and wrote metaphysic thoughts of the principles of human existence. Uriankhai is a dis tinct voice in Mongolian literature, a reformist who has developed his work according to his own metaphysics.

Жүжгийн зохиол дахь дүрийн хэл ярианы далд, гүн утга (Д.Урианхайн сэтгэл зүйн драмууд дахь гүн ухааны хөөрөлдөөний жишээн дээр

Товч агуулга: Яриан болон дуулалт жүжиг, дуурьд харилцан тоглогчдын хэл яриа голлодог бол Д.Урианхайн сэтгэл зүй, эмгэнэлт, гүн ухааны жүжгүүдэд баатрын хэл яриа бусад зохиолчдын энэ төрлийн бүтээлүүдээс далд утгат гүнзгий агуулгаар ялгарч байна.

Түлхүүр үгс: Д.Урианхай, жүжиг, дүр, харилцан яриа, сэтгэл зүйн драм, гүн ухааны хөөрөлдөөн